Skip to main content

13 - ADVERSE CONDITIONS


It’s not all sun, sea and sand when travelling overseas. There will be many times when the elements are against you, and it pays to be prepared.

Travelling in the tropics during the monsoon brings heavy rains, although such downpours are just as likely in Europe or North America at any time of year. Torrential rains and tropical storms are stunning to capture on film, but can be a disaster for your equipment. Travel with a dry bag to keep the camera gear safe. This will also be useful if you are planning any kayaking, rafting or diving.

Extreme heat leads many visitors to want to chill out in air-conditioning. This is not always good for the equipment, as the dramatic changes in temperatures can lead to condensation or fogging of the lenses. Remember to take the lens to breakfast to give it time to warm up or leave it in a sealed bag inside a cupboard overnight.

Snow conditions are a real challenge for videographers, as the glare plays havoc with the white balance. Use filters if you have them or consider shooting through your goggles for a tinted effect. Batteries need to be fully charged as they drain faster in the cold. And don’t change lenses on the slopes: the snowflakes may look pretty, but will soon turn ugly if they land inside the camera.

Comments

Popular posts from this blog

1 - THE RULE OF THIRDS

Whether you’re shooting stills or video, good composition is critical: without it, even the most compelling of scenes can look unbalanced or boring. The rule of thirds can help you get your composition right. When you look through your viewfinder or at your screen, imagine three evenly spaced lines running horizontally and another three vertically, giving you a total of nine rectangles. Following the rule of thirds, the subject of the shot should be placed on or near where the lines intersect. Non-moving subjects lend themselves especially well to the rule of thirds. In a land-scape, find the main point of interest – a hut on a mountain, perhaps, or an elephant in the savannah. If you’re interviewing a person, the main point of focus should be their eyes. Be careful: autofocus on DSLRs and smartphones is usually in the middle of the frame. Use the focus-lock function on DSLRs by centring on your subject, half-depressing the shutter release until it locks focus, then recomposin...